这种“舒服”正是港式叙事的老手艺：用笑声把观众带进现实，用现实把笑声染上一点苦味。《夜王》的含笑量充足，但笑点细细品味不算轻快，它们往往伴随着停顿与迟疑，让观众在笑过之后突然意识到：支撑笑声的东西正在消失。它把夜总会从“道德争议”里抽离出来，放回经济与城市结构的变动中，告诉观众“消失”不是戏剧冲突的需要，而是时代逻辑的必然。
I suspect rather strongly that premodern people, too, experienced the physical world more acutely than I do, simply because my brain has been stewing in dopamine-spiking stimuli for four decades now, rarely pausing to touch the proverbial grass. Don’t get me wrong: I like the outdoors a lot. But my waking existence is spent mostly indoors in highly artificial spaces, whereas humans have typically spent the vast majority of their time outdoors in nature. Consider my ancestors, who, as best I can tell, were primarily illiterate peasants and smallhold farmers. They spent a significant proportion of their waking hours literally touching grass.
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Here there be Titans! Apple TV's MonsterVerse series Monarch: Legacy of Monsters returns with a vengeance for Season 2, which introduces a terrifying new beast: Titan X. An aquatic beast of immense power, Titan X has the potential to be the most destructive monster we've seen in the MonsterVerse. It's so threatening, in fact, that the trailer suggests the only way to take it out is by unleashing both Godzilla and King Kong against it. You know what they say: Let them fight.* — B.E.